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Subverting Sex

By: Sonia Scarlat Whenever I sift through Netflix, I often find myself choosing the brightest, shiniest feature available....

Self-Love: A Year of Dating Myself

Illustration Credit: Cordelia Cho By: Frida Mar (Arts & Culture Co-editor) Last October I...

The Canadian Opera Company’s Elektra 2019

Christine Goerke as Elektra in the Canadian Opera Company’s production of Elektra, 2019. Photo Credit: Michael Cooper

The Children of Freedom

By: Nina Anggala Three million lives hang in the balance. These are the residents of Idlib, a region in...

Review: ‘The Wife’ playing at TIFF Bell Lightbox

By: Sonia Scarlat Swedish director Björn Runge’s English feature debut, The Wife, is nothing short of a revelation. It...

Mick Jenkins warms up the Mod Club

By: Benjamin Cannon K let me tell you about last Sunday. It was cold. It...

16 & Psychic: How a Former Teen Mom Predicted the Future of Music

By: Benjamin Cannon I don’t remember how, but by some chance, I came across Farrah Abraham’s debut album My...

Album Review: Cherry Glazerr

By: Tristan Bannerman When I first listened to Clementine Creevy, the force behind Cherry Glazerr,...

Educated by Tara Westover: A Book Review

by Aina De Lapparent Alvarez Tara first set foot in a classroom when she was seventeen years old....

MØ Gave It to Us at the Danforth

By: Lillyanne Szabo On a dreary Wednesday, MØ blessed the audience at the Danforth Music...
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